Shaping Everyday Life! Bauhaus Modernism in the GDR

Thursday, 23. September 2021 to Monday, 7. February 2022
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Special exhibition „Shaping Everyday Life! Bauhaus Modernism in the GDR“ in the Museum Utopie und Alltag, Eisenhüttenstadt 2019, photo: Kevin Fuchs.

Shaping Everyday Life! Bauhaus modernism in the GDR“ is an exhibition of the Museum Utopie und Alltag, Eisenhüttenstadt, which was developed in 2019 as part of the Bauhaus centenary. It examines the reception of the Bauhaus in the GDR.
The Werkbundarchiv – Museum der Dinge, Berlin is taking over the exhibition in a slightly different form, in line with this year's program focus on “East Modernism”.

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Schaukelwagen, draft: Hans Brockhage, 1950, collaboration: Erwin Andrä, Seminar für Spielzeug an der Hochschule für Bildende Künste Dresden (Seminar for toys at the University of Fine Arts Dresden) (supervisor: Mart Stam), producer: VEB Holzspielwarenwerke Ohrdruf, photographer: Armin Herrmann for the Museum Utopie und Alltag.
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Form+Zweck, Fachzeitschrift für industrielle Formgestaltung (Journal for industrial design), Jg. 1983, Heft 5 (published by: Amt für Industrielle Formgestaltung (Office for Industrial Design)); title draft: Lothar Schelhorn, photographer: Armin Herrmann for the Museum Utopie und Alltag.

Functional, durable and optimized for industrial mass production: “Shaping everyday life!” presents objects that were part of everyday life in the GDR – furniture, glassware, ceramics, technology and graphic design – and biographies of the designers who followed the tradition of the Bauhaus and contributed to the continuing development of its design principles and modern product design.

For example, the exhibition spotlights the design of furniture by the Deutsche Werkstätten Hellerau by displaying work by furniture designers Franz Ehrlich, Selman Selmanagić and Rudolf Horn. The furniture factory had become well known for its innovative products as early as the beginning of the 20th century. 

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Kaffeekännchen aus der Gastronomieserie „Rationell“ (coffee pots from the gastronomy series „Rationell“), 1970; draft: Margarete Jahny, Erich Müller, 1970, producer: VEB Porzellankombinat Colditz, photographer: Armin Herrmann for the Museum Utopie und Alltag.

The impact of modern and functional design, for example of designs by Wilhelm Wagenfeld, on the glassware and ceramics created by Friedrich Bundtzen, Erich Müller, Margarete Jahny, Ilse Decho and Christa Petroff-Bohne is also explored. The exhibition shows how designers such as Albert Krause applied the principle of functional, durable and practical design to new materials such as plastics. In addition, the concept of “living functionality” was further developed to achieve greater flexibility and user-friendliness, as seen in approaches such as the “open principle” demonstrated by the Mokick Simson S50 moped designed by Karl Clauss Dietel and Lutz Rudolph, for example.

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Portionsschalen in Meladur (meladur portion trays), draft: Albert Krause, 1959; producer: VEB Preßwerk Auma, photographer: Armin Herrmann for the Museum Utopie und Alltag.

The exhibition also examines the contradictions in the GDR government’s approach to the Bauhaus heritage in its cultural policies. Initial attempts to revive the Bauhaus tradition were followed by campaigns against so-called “formalism”, a ban on Bauhaus-style design and a return to what were regarded as national traditions in design. Modernism was tentatively rehabilitated when housing began to be constructed on an industrial scale. It was not until the refurbished Bauhaus Dessau was reopened in 1976 that the former school of design was adopted as part of the official cultural heritage of the GDR. 

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Bowle set „Romanze“, draft: Friedrich Bundtzen, 1962; producer: VEB Oberlausitzer Glaswerke Weißwasser, photographer: Armin Herrmann for the Museum Utopie und Alltag

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Exhibition poster of the Kunstsammlungen Weimar, draft: Artur Liebig, 1968, photographer: Armin Herrmann for Museum Utopia and Everyday Life.

Shaping everyday life! explores how the Bauhaus heritage gradually became accepted in the GDR. It considers early publications and exhibitions in the 1960s as well as later exhibitions, including the exhibition entitled “The Bauhaus Experiment” which was held in Dessau in 1988 in collaboration with the Bauhaus Archive in West Berlin. Exhibitions such as these were used to promote the GDR’s cultural and political image.
Notwithstanding the chequered history of the reception of the Bauhaus, particularly during the years of the Soviet Occupation Zone and the early years of the GDR, former Bauhaus designers such as Mart Stam and Walter Funkat inspired the next generation of designers by their design practice and teaching at East German universities. The graduates of those universities would in turn have a profound impact on everyday culture. 

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Mokick Simson S50, draft since 1967: Karl Clauss Dietel, Lutz Rudolph, production since 1974: VEB Fahrzeug- und Jagdwaffenwerk Suhl, photographer: Armin Herrmann for the Museum Utopie und Alltag.

The exhibition „Shaping everyday life!“ traces the exciting development of the reception of Werkbund and Bauhaus inspired modern design in the GDR and invites visitors to discover a hitherto long-neglected chapter in German design history.

We gladly invite you to the opening on Wednesday, September 22, 2021, 7:00 pm. There will be no opening speeches, so registration is not required, but keeping your distance and wearing a mask. Our current hygiene regulations can be found here

“Shaping Everyday Life! Bauhaus modernism in the GDR“ has been organized in cooperation with the Visual Communication Department of weißensee kunsthochschule berlin, also in cooperation with the Deutsches Rundfunkarchiv
In 2019, the exhibition was sponsored by the Bundesstiftung zur Aufarbeitung der SED-Diktatur (Federal Foundation for the Study of the Communist Dictatorship in East Germany), the exhibition takeover in 2021 is supported by the Stiftung Preussische Seehandlung.
Media partner is Das Magazin

 

The Museum Utopie und Alltag (Museum of Utopia and Daily Life) unites the Documentation Centre of Everyday Culture of the GDR and the Beeskow Art Archive – institutions of the Landkreis Oder-Spree and co-funded by the Federal State of Brandenburg.
 

An exhibition catalogue (in German and English), also entitled “Shaping everyday life! – Bauhaus Modernism in the GDR”, is available from Weimarer Verlag mbooks

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